Despite the heavy heat outside, the basement was cool, almost damp, with the smell of old crumbling concrete and years of dust storms. It was dark but a light glowed, soaking everything in a sinister red film, showing the way through, showing their faces, twisted with fear, and pain, and loss.
Pictures hung on the walls, one per wall. Large, almost life sized images of fallen bodies, decaying children, bloated cows. I stood in silence. I know the history, the decades of brutality, of ethnic cleansing, the systematic murder of Kurdish men, women and children in the 1980s; Saddamâ€™s alâ€™Anfal campaign. I had even seen those pictures before. But this was different; the horror was close and chilling.